The two pianists sat down for encores, and at the same piano: the encores would be four-hands, not two-pianos. Wang and ...

“H ow do you know what someone wants to be called?” A little girl—or at least she would appear to be a girl—ponders this ...

Cooper and Amelia Opdyke Jones,” an exhibition now on view at the New York Transit Museum in downtown Brooklyn, reveals how ...

Last night, the New York Philharmonic offered a program with an accent on the mysterious and the French. Guest-conducting was ...

In the early 2000s, we often collaborated with the Studio School on lectures, panels, and symposia, in which many of which ...

John Check on “The Catholic Beethoven,” by Nicholas Chong.

This dialectic is partly a partisan political drama, partly an economic salvage effort, partly a chapter in that long-running ...

In Luke Stegemann’s perceptive “new biography” of the kaleidoscopic capital of Spain, he chides Hemingway for possibly being ...

Dominic Green on a recent production of “The Merchant of Venice.” ...

His works are antic, hers austere, yet these independent-minded sculptors are united by their fearless pursuit of personal ...

An Idea and Its History,” by J. C. D. Clark.

Kyle Smith on “Gypsy,” “Death Becomes Her” & “Hell’s Kitchen.” ...