Along with the A-list stars, the Los Angeles Master Chorale will make an appearance at the awards show. This year’s Oscars are being executive-produced by Raj Kapoor and Katy Mullan. Conan O’Brien ...
Beyoncé picked up two awards at the 2025 NAACP Image Awards. She won 'Outstanding' album for 'Cowboy Carter' and 'Outstanding ...
Other nominees included Taylor Swift, Beyonce, Sabrina Carpenter, Andre 3000, Jacob Collier and Chappell Roan. Although all ...
Though Jacob Collier may not be a household name compared to his fellow nominees, he has earned seven GRAMMYs. He gained attention in 2011 by posting virtuosic covers on YouTube. His cover of Stevie ...
This album did exactly what she set out to do — challenge what a genre is and what it should be. It shows that Beyoncé is ...
Taylor Swift, Billie Eilish and Post Malone are just a few big names who left the 67th annual Grammy Awards empty-handed.
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Hosted on MSNHere’s Why Beyoncé’s Albums Have So Many Songwriting Credits, Because People Seem To Be Missing Some Key ContextA viral tweet comparing Beyoncé’s “Cowboy Carter” with past AOTY winners like Taylor Swift’s “Midnights” and Harry Styles’s “Harry’s House” has caused a huge stir online. View Entire Post › ...
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Soap Central Lifestyle on MSN2025 Met Gala theme “Superfine: Tailoring black style” sparks hilarious reactions—“Billie Eilish about to go crazy”Superfine: Tailoring Black Style is the official theme of the 2025 Met Gala, and it has already sent the internet into a frenzy.
Beyoncé took down a competitive field that included André 3000 (“New Blue Sun”), Sabrina Carpenter (“Short n’ Sweet”), Charli xcx (“Brat”), Jacob Collier (“Djesse Vol. 4”), Billie Eilish (“Hit Me Hard ...
Beyoncé took home album of the year at the 67th Grammy Awards for "Cowboy Carter," the first time she has won the coveted award. After accepting the award, which was presented by members of the ...
The expectation for Swift to be awarded in these categories is a blatant display of the acclaim which white mediocrity garners, and the ability for white artists to dominate in music institutions ...
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